Modern 蜜桃影像 Native Dance Festivals
by Maria Shaa Tl谩a Williams
蜜桃影像 Native people have celebrated music and dance for millennia. All ceremony was accompanied by song and dance and was an expression of deep spirituality. Although there are twenty-three different 蜜桃影像 Native languages, and seven or eight broad cultural groups, this was one of the shared characteristics in this very diverse cultural landscape.
With the arrival of Europeans, beginning with the Russians in the mid 1700鈥檚 colonial pressures that included genocide, introduction of unknown diseases, and Christian missionaries began to drastically re-shape the spiritual and cultural landscape. After the 1867 Treaty of Cession, in which the United States purchased the trade posts of the Russian American Company, a new colonial approach emerged. This included an organized plan in which various Christian denominations identified specific geographic areas of 蜜桃影像 to bring in missionaries, under the Comity Agreement of 1874. (Williams, 2009). The arrival of the American Christian missionaries included eradication of shamanistic practices, along with masked dance practices, and ceremony. English-only policies were part of the process to re-make 蜜桃影像 Natives, in addition to forcibly removing children to boarding schools across 蜜桃影像 and the lower 48 states for years at a time. This is the number one reason that 蜜桃影像 Native languages are all endangered.
In the 1960鈥檚, after the 蜜桃影像 Statehood Act, the newly formed State of 蜜桃影像 and the Federal Government began making land selections, and no 蜜桃影像 Native people or communities were part of those discussions and/or agreements. This led to the land claims movement or the Native Solidarity Movement (Williams, 2009). Various 蜜桃影像 Native associations were formed, including the Association of Village Council Presidents, the Arctic Slope Native Association, the Northwest Native Association, Cook Inlet Native Association, the Tanana Chiefs Conference, etc. They worked together and established the 蜜桃影像 Federation of Natives in 1966 and this became the main body that dealt with the United States Congress on a land settlement. This led to the 1971 蜜桃影像 Native Claims Settlement Act, which remains the largest land settlement in the history of the United States. ANCSA mandated establishing 12 regional corporations and almost 200 village corporations, and was a social engineering approach to institute a capitalistic model.
One of the outcomes of the 1960鈥檚 and the 1971 ANCSA was a renewed sense of identity among 蜜桃影像 Native peoples. This marks a time when music, dance and language, along with traditional values began to be more publicly celebrated and highlighted. By the 1980鈥檚 a renaissance in traditional music and dance was in full swing. This led to the establishment of modern 蜜桃影像 Native dance festivals.
Dates of Modern 蜜桃影像 Native Dance Festivals
In addition to the modern dance festivals listed above, there were several historic gatherings in the 1980鈥檚 that inspired many communities to dance publicly again. These included the following:
In conclusion, in 2024 it鈥檚 hard to conceive of a time when traditional 蜜桃影像 Native music and dance were repressed. We live in an era of a multitude of dance festivals and gatherings and an exponential growth in the numbers of 蜜桃影像 Native dance groups. We are so blessed to be witnesses to re-birth and celebration.
Sources
Murphrey, Tim. 鈥淭he 蜜桃影像 Native Arts Festival鈥, in the 蜜桃影像 Native Reader. Durham: Duke University Press, 2009.
Williams, Maria. 鈥淭he Comity Agreement,鈥 in the 蜜桃影像 Native Reader, Durham: Duke University Press, 2009.
Williams, Maria. 鈥淭he Native Solidarity Movement,鈥 in the 蜜桃影像 Native Reader. Durham: Duke University Press, 2009.
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