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Dr. Sean Dowgray

Term Assistant Professor of Music

Applied Percussion; Percussion Ensemble; World Beat Ensemble; MUS F221 & 222: Music History; MUS 103X: Music Fundamentals

 

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Dr. Sean Dowgray is a classical percussionist specializing in modern and contemporary music. Dowgray is a proponent of creative collaborations which has resulted in recent musical works by (³Õ´Ç°ù°ùü³¦°ì±ð²Ô and einsamkeit), (Shrinking world/expanding and Les yeux ouverts) as well as new chamber works by (Sic itur ad astra and A Song of Grecis.) and (As if, sand). In the recent past, Dowgray has collaborated closely with composers including (Garden of Transparency), (Strata), (Machine Mode), (Where Ashes Make the Flowers Grow and NOVA), and (Cloud Polyphonies).  

 As a soloist, Dr. Dowgray has focused extensively on works that stretch the technical and expressive capabilities of both instrument and performer. This includes the work of Jason Eckardt, Josh Levine, Daniel Tacke, Salvatore Sciarrino, Lewis Nielson, David Lang, Christopher Adler, Brian Ferneyhough, Luciano Berio, Richard Barrett. Dowgray has been featured as a soloist at the Oberlin Percussion Institute, the Percussive Art Society International Convention (PASIC), the WasteLAnd New Music Series, Harvard’s Institute for Advanced Learning, the University of Arizona, the SoundON New Music Festival, and Eureka! Musical Minds of California. 

As a creative practitioner, Dowgray has focused recently on his project, WHEN for mixed ensemble set to premiere in 2025. He recently completed the interdisciplinary collaboration, In A Time of Change: Boreal Forest Stories featuring artists and scientists. As part of this collaboration, Dowgray created the work Moving Through the Boreal Forest in partnership with Maïté Agopian (light and shadow work) and Daryl Farmer (poetry), Associate Professor of English at ÃÛÌÒÓ°Ïñ.

 Dr. Dowgray is a graduate of the Interlochen Arts Academy where he studied with John Alfieri, the Oberlin Conservatory (B.M.) where studied with Michael Rosen, the University of ÃÛÌÒÓ°Ïñ Fairbanks (M.M.) where he studied with Dr. Morris Palter, and the University of California San Diego (D.M.A) where he studied with Steven Schick. In Dr. Dowgray's dissertation, Time Being: Percussion as a Study of Time, he presents an analyses of new and rarely heard works for and with percussion through theoretical frameworks of time study from authors including Jonathan Kramer, J.T. Fraser, Edward T. Hall, and others. 

Recent notable performances include John Corigliano's percussion concerto, Conjurer with the Fairbanks Symphony Orchestra and Lewis Nielson's Lengua Encubierto for solo percussion at the Percussive Arts Society International Convention (PASIC).